Attention to Detail

JANUARY 5 - AUGUST 1, 2008

Curated by Chuck Close

The FLAG Art Foundation is pleased to announce its inaugural exhibition Attention to Detail, curated by artist Chuck Close. Whether it is through conceptual or technical precision, the deceptively lifelike nature of a hand-crafted image, a playful interpretation or distortion of a familiar object or the detailed appropriation of another artist’s work, an acute focus on the minute connects these works and these artists’ approaches, these artists demonstrate a labor-intensive and exacting artistic passion in their respective processes. As Close fittingly reflected with respect to his own work, “I am going for a level of perfection that is only mine…Most of the pleasure is in getting the last little piece perfect.” Artists in the exhibition include:

Louise Bourgeois
Delia Brown
Glenn Brown
Maurizio Cattelan
Vija Celmins
Jennifer Dalton
Thomas Demand
Tara Donovan
Olafur Eliasson
Dan Fischer
Tom Friedman
Ellen Gallagher
Tim Gardner
Franz Gertsch
Ewan Gibbs
Robert Gober
Andreas Gursky
Damien Hirst
Jim Hodges
Naoto Kawahara
Ellsworth Kelly
Cary Kwok
Robert Lazzarini
Graham Little
Christian Marclay
Brice Marden

Tony Matelli
Ron Mueck
Richard Patterson
Richard Pettibone
Elizabeth Peyton
Richard Phillips
Marc Quinn
Alessandro Raho
Gerhard Richter
Aaron Romine
Ed Ruscha
Cindy Sherman
James Siena
Ken Solomon
Thomas Struth
Tomoaki Suzuki
Yuken Teruya
Fred Tomaselli
Jim Torok
Mark Wagner
Rachel Whiteread
Fred Wilson
Steve Wolfe
Lisa Yuskavage

About:

Chuck Close (b. 1940, Monroe, WA) received his B.A. from the University of Washington, Seattle before studying at Yale University School of Art and Architecture (B.F.A., 1963; M.F.A. 1964). Following graduation Close was awarded a Fulbright grant and studied at the Akademie der Bildenen Kunste, Vienna; he began working from photographs at this time. In 1967 Close moved to New York City where, one year later, Close began black and white portrait painting. Soon thereafter his work was included in the “1969 Annual Exhibition of Contemporary American Painting”—marking Close’s first inclusion in a museum exhibition—and in 1970 Close received his first solo show. Nearly ten years later, during the late seventies and early eighties, Close began oil paintings and photography-based portrait series.

Close’s drawings, paintings, photographs and prints have been the subject of exhibitions in more than 20 countries including three retrospective exhibitions: “Close Portraits” (1980-81) organized by the Walker Art Center, Minneapolis, with additional venues including the Whitney Museum of American Art, New York; “Chuck Close: Retrospektive” (1994) organized by the Staatliche Kunsthalle, Baden-Baden, and later presented at the Lenbachhaus Städtische Galerie, Munich; and “Chuck Close” (1998-99) organized by the Museum of Modern Art, New York, with subsequent venues at the Museum of Contemporary Art, Chicago, the Hirshhorn Museum and Sculpture Garden, Washington, DC, the Seattle Art Museum, and the Hayward Gallery, London. Also of note is the photography exhibition “Chuck Close” (1989-90) organized by and opening at the Art Institute of Chicago; the exhibition traveled to The Friends of Photography, Ansel Adams Center, San Francisco, and a print exhibition “Chuck Close Prints: Process and Collaboration” (2004) at the Metropolitan Museum of Art, NY. Other solo shows include “Photographs by Chuck Close” (1999), “Chuck Close” (2000-01) at the Worcester Museum of Art, and “Chuck Close Ritratti” at the American Academy in Rome, Italy. Since 1969 Close has participated in over 400 group exhibitions of international scope, including Documenta, Kassel, Germany (1972, 1977), the Tokyo Biennale (1974), the Corcoran Gallery of Art Biennial (1975, 2001), the Whitney Museum of American Art Biennial (1977, 1979, 1991), the Venice Biennale (1993, 1995), and the Carnegie International (1995-96).

Close has taught at the University of Massachusetts (Amherst), The School of Visual Arts (New York), the University of Washington (Seattle), New York University and Yale University (New Haven), and has been conferred with honorary degrees by The Art Institute of Boston, Skidmore College (Saratoga Springs, NY), Colby College (Waterville, ME), University of Massachusetts (Amherst), Yale University (New Haven, CT), Rhode Island School of Design, Purchase College at the State University of New York, Maryland Institute College of Art (Baltimore), the Corcoran School of Art (Washington, DC), and Bard College (Annandale-on-Hudson). Honored by numerous cultural institutions throughout the United States, Close has been the recipient of many distinctions including: the International Center for Photography Annual Infinity Award for Art (1990), the Skowhegan School of Painting and Sculpture Medal (1991), the American Academy and Institute of Arts and Letters Award in Art (1991) and election as a member of the Academy the following year, the Academy of the Arts Award for Lifetime Achievement in the Visual Arts, Guild Hall of East Hampton, NY (1995), residency at The American Academy in Rome, Italy (1996), the New York State Governor’s Award (1997), election to Fellow of The American Academy of Arts and Sciences (1998), the Artist Advocate Award from the Alliance of New York State Arts Organizations (1999), the title of “Culture Laureate” by the Historic Landmarks Preservation Center (1999), the Independent Curators International Leo Award (2000), and the National Medal of Arts (2000).

Close’s work can be found in over 60 major public collections worldwide including: the Albright-Knox Art Gallery, Buffalo; the Art Gallery of Ontario, Toronto; The Art Institute of Chicago; the Australian National Gallery, Canberra; the Carnegie Institute, Museum of Art, Pittsburgh; The Cleveland Museum of Art; the Des Moines Art Center; the High Museum of Art, Atlanta; the Hirshhorn Museum and Sculpture Garden, Washington DC; the International Museum of Photography, George Eastman House, Rochester; the Library of Congress, Washington, DC; The Metropolitan Museum of Art, New York; the Musée national d’art moderne, Centre Georges Pompidou, Paris; the Museum moderner Kunst, Palais Liechtenstein, Vienna; The Museum of Modern Art, New York; the National Portrait Gallery, Washington DC; the Osaka City Museum; the Philadelphia Museum of Art; the Seattle Art Museum; the Staatliche Museum, Berlin; the Virginia Museum of Fine Arts, Richmond; the Walker Art Center, Minneapolis; the Whitney Museum of American Art, New York; and the Yale University Art Gallery, New Haven, among others.

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