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PAST EXHIBITIONS

SIZE DOES MATTER

Curated by Shaquille O’Neal

February 19, 2010 - May 27, 2010

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Floating a Boulder: Works by Felix Gonzalez-Torres and Jim Hodges

October 1, 2009 - January 31, 2010

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Opening May 8, 11am-3pm Thomas Demand, Clearing, 2003
C-print on Diasec, 76 x 195 inches, Courtesy 303 Gallery, New York
© 2009 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
While photography's unique capacity for fiction and distortion is something we now readily accept—even embrace—the persistent use of the medium to evoke fictive spaces has taken on its own critical currency. Since Gustave Le Gray crafted Brick au clair de lune (an 1856 photograph that used montage and exposure techniques to simulate a seascape) artists have used photography to generate illusory spaces, altered landscapes, and non-sites. Over a century later, the postmodern critique of representation in the 1970s sought to completely demolish photography's relationship to reality. In the process, a visual vocabulary of self-reflexive strategies was amassed that was honed and expanded by contemporary artists. Through pastiche, the use of staged or crafted tableaux, the reproduction of built models, or the documentation of simulated sites, the works in this exhibition create subverted analogues of particular places in history, in time, or in collective memory: armed conflicts, space travel, romantic landscapes, and monumental architecture.
Two works anchor the exhibition: Thomas Demand’s Clearing, 2003 (a photograph of a sculptural construction and an implicit critique of a Romantic past) and Andreas Gursky’s 99 Cent (diptych), 2001 (a hyperreal montage evoking the poverty and excess of the future of capitalism). Respectively, this collection of works explores two corresponding trajectories: the formal and conceptual investigation of landscape as a mediated construction, and the simulation of specific spaces of history and spectacle.

INCLUDING WORKS FROM THE FOLLOWING ARTISTS
Oliver Boberg
James Casebere
Gregory Crewdson
Thomas Demand
Joan Fontcuberta
Barry Frydlender
Noriko Furunishi
Andreas Gursky Beate Gütschow
An-My Le
David Levinthal
Aleksandra Mir
Cindy Sherman
Jeff Wall
Jason Wee
James Welling

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Re-Accession: For Sale by Owner:

Curated by Philae Knight and Amanda Steck

June 23, 2009 - September 1, 2009

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Opening May 8, 11am-3pm Thomas Demand, Clearing, 2003
C-print on Diasec, 76 x 195 inches, Courtesy 303 Gallery, New York
© 2009 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
While photography's unique capacity for fiction and distortion is something we now readily accept—even embrace—the persistent use of the medium to evoke fictive spaces has taken on its own critical currency. Since Gustave Le Gray crafted Brick au clair de lune (an 1856 photograph that used montage and exposure techniques to simulate a seascape) artists have used photography to generate illusory spaces, altered landscapes, and non-sites. Over a century later, the postmodern critique of representation in the 1970s sought to completely demolish photography's relationship to reality. In the process, a visual vocabulary of self-reflexive strategies was amassed that was honed and expanded by contemporary artists. Through pastiche, the use of staged or crafted tableaux, the reproduction of built models, or the documentation of simulated sites, the works in this exhibition create subverted analogues of particular places in history, in time, or in collective memory: armed conflicts, space travel, romantic landscapes, and monumental architecture.
Two works anchor the exhibition: Thomas Demand’s Clearing, 2003 (a photograph of a sculptural construction and an implicit critique of a Romantic past) and Andreas Gursky’s 99 Cent (diptych), 2001 (a hyperreal montage evoking the poverty and excess of the future of capitalism). Respectively, this collection of works explores two corresponding trajectories: the formal and conceptual investigation of landscape as a mediated construction, and the simulation of specific spaces of history and spectacle.

INCLUDING WORKS FROM THE FOLLOWING ARTISTS
Oliver Boberg
James Casebere
Gregory Crewdson
Thomas Demand
Joan Fontcuberta
Barry Frydlender
Noriko Furunishi
Andreas Gursky Beate Gütschow
An-My Le
David Levinthal
Aleksandra Mir
Cindy Sherman
Jeff Wall
Jason Wee
James Welling

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Vague Terrain: Analogues of Place in Contemporary Photography:

Curated by Stamatina Gregory

May 8 2009 - September 1, 2009

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WALL ROCKETS:

Contemporary Artists and Ed Ruscha

Curated by Lisa Dennison

October 3 2008 - April 18, 2009

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Attention to Detail

Curated by Chuck Close

January 5, 2008 - August 1, 2008

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Drawn Together

April - June 2008

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